HOW TO MAKE MONEY WITH PHOTOGRAPHY

          HOW TO MAKE MONEY WITH PHOTOGRAPHY      

who wants to avoid you as a photographer or filmmaker.

The first part we talked about shooting

real programs with the camera.

In the second part, we talked about planning,

the mistakes you make in the beginning,

and a third of today's blog,

we cover the business aspect with errors

to avoid becoming a young entrepreneur,

photographer or filmmaker,

put down to try to do this job,

or try to make money on this.

Maybe more money over the weekend,

or full rhythm similar to a leader.

These are just a few of the things I have included

I wish I had it when I started or I wish I had done better.

And we'll start with those.

Number one contracts.

Contracts are very important.

It's not fun at all to do.

It's not fun to read.

And it's not fun to sign.

But they are there to protect you.

It doesn't matter who you shoot.

Listen to me, no matter who you shoot.

If it's a friend,

if it's family, it doesn't matter.

Get a contract, it covers everything

hopefully I'll do it for that person.

You both sign, love, whatever.

When there is compensation, both things are agreed upon,

you both signed, it's done.

That way when something comes up, when a lot of work is expanded,

if you don't do enough work, both sides

have a signed document clearly stated

what to expect.

Because I find that to be a very big channel

that's the biggest mistake expected

they are always different from one person to another.

And if that expectation is clarified

initially and they are followed

to the end because you have a contract

business is better.

So if you don't have a contract,

download sample sample, review, read,

maybe fill in your stuff.

Instead of a sample.

Do whatever you have to do.

Take it to a lawyer, find a friend to watch you.

Ask your parents to watch you.

Get your older siblings to watch them, whatever.

Start with something.

Okay, the agreements are signed.

That's one point.

(growing instrumental music)

The second number is not charging enough.

I am now an independent lawyer

first to urge your foot within the door.

Most people are the same, no, they should

never sell them.

Your time is important, yes, your time is important.

And your time is expensive.

But there is chaos and work to provide that works

will bring other departments,

HOW TO MAKE MONEY WITH PHOTOGRAPHY 

it can open many doors for you,

it will take you to many places, among young people.

It helped build my career.

It helped to create jobs like my friend D Rock

you just posted a great post online

about how he worked for free to the point of confusion

to be a video writer for Gary V.

That's amazing.

But it is not enough to charge

as a growing businessman and photographer

trying to do it in the field.

I was always so excited to get a gig

completely forgetting what I was charging you for,

how precious is my time.

Not only do you provide the tools for this work,

you take your gear that you bought in the photoshoot,

you drive your car, using your fuel,

to take time in your day

and edit

all those pictures know

with the software you pay for.

Those things are important.

So when you start charging your work,

make sure you pay enough,

I mean you think about it like some of these cameras

thousands and thousands of dollars.

You are about to create photos

and you will only charge five hundred or 200 bucks

with a quick stop session,

which means you as a photographer

and two how did that happen to make money

or pay for your gear or actually

move on to the game.

So make sure you pay enough.

Sometimes you can throw numbers out there

that may seem a touch crazy to you

and that that client comes back and leaves alah no problem

and you think you, , oh, I did it

(stuttering) (sighing)

it can be very exciting.

So sit down and take part

I have written all these things, that I may know what is yours

time is expensive and rightly charged.

Point number is coming.

(growing instrumental music)

A three-point checklist.

I can't stress this enough.

So if you're going to shoot,

Suppose you are photographing a wedding,

has a fixed contract,

charge what you want to do

now comes the real shooting day.

I always getting a checklist from the client

of everything they want done.

That way, you can point to that throughout the day

all branches,

and you know, you have it all.

If that customer fails to offer you something

in that checklist is not your fault.

For example.

Suppose you are getting married,

have that checklist, get a dress,

get drinks in the morning, and gifts

start looking blah, blah, blah, blah,

he beats all those things

But maybe after two weeks, that client comes back

and says Aunt Margaret has never been photographed.

And we are very concerned about this.

And he flew all the way here from Australia.

And we will never see him again.

And you didn't even take pictures.

And then you'll pull out that checklist

that you are designed for that client

then sign without sa